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Newsmail

            Arild Andersen
            
Electra     
 
Arve Henriksen trumpet   Eivind Aarset guitars  Paolo Vinaccia drums, percussion     Patrice Héral drums, percussion, voice     Nils Petter Molvær drum programming      Savina Yannatou vocal     Chrysanthi Douzi vocal    Elly-Marina Casdas chorus vocal      Fotini-Niki Grammenou chorus vocal   Arild Andersen double bass, drum programming

 

 



1.
   Birth Of The Universe  2.  Mourn      3. The Big Lie    4. Chorus I    
5.   Electra Song Intro  6. Electra Song        7.  Electra Song Outro   
8.   Chorus II      
 9.  7th Background     10. One Note    11. Whispers      
12.  Divine Command  
13.  Clytaemnestras Entrance     14.  Loud Sound    15.  Chorus III    
16.  Opening   
17. Chorus IV       18. Big Bang

 Recorded 2002 and 2003

 ECM 1908

 Pressreactions

Once spoken of along with Garbarek, Rypdal and Christensen as one of the “Big Four” of Scandinavian jazz, recent developments in the indigenous jazz of this fertile region have produced many new challengers to Andersen’s crown. … Electra amply fulfils the brief for a modern, fluid, and spacious sound-scape. Vocalists join the mix more as a choral texture than for any lyric purpose, leaving Henriksen’s plaintive trumpet as the de facto lead vocalist. … The longest and boldest piece on the disc, it exemplifies the seamless fusion of ancient and cutting edge materials. Andersen’s talents as a composer have rarely been so much in the spotlight… His precise, warmly resonant bass-lines sound as good as ever, and although Electra may be a long way from Afric Pepperbird, Andersen should be a vital cornerstone of any new Big Four for the 21st Century. Strongly recommended.

Fred Grand, Jazzreview

 

There’s a feeling of wonder, to much of the enterprise: whispers glitter like frosty breath over Andersen’s rapidly ascending bass and percussion sparkles like unexpected snow. The two stars here are the leader whose authoritative, sympathetic playing is located at the heart of proceedings and Arve Henriksen whose breadth of expression on trumpet is astonishing. The success of the project may be attributed to the sympathy between the narrative’s tragic focus and the sense of mournful fatefulness found in much Norwegian music. Ultimately, the marriage of contemporary sounds and rhythms and Greek chorus, which lays its laments like a whisper upon the contemporary arrangements, is both thrilling and haunting.

Colin Buttmer, Jazzwise

 

The score, originally commissioned for a Greek Production of Sophocles’ Electra, has a refreshing breadth and vulgarity. It also has the lopsided sprawl you associate with theatre or soundtrack albums. … Andersen’s cast of musicians includes percussionists Paolo Vinaccia and Patrice Héral, guitarist Eivind Aarset and trumpeter Arve Henriksen, whose otherworldly tone dominates the album. There is also some beautiful writing for voices – literally a Greek chorus. Through effects, loops and studio techniques, Andersen succeeds in conjuring a big palette of sounds from a small group of musicians.

John L Walters, The Guardian

 

A modern score for a new production of the Greek tragedy Electra describes Norwegian bassist Arild Andersen’s latest ECM release, but that doesn’t give the whole picture. Electra is another lush-sounding offering from the Scandinavian contingent, which, at times, blends Asian and Nordic influences in equal measure. … Featuring drummers Paolo Vinaccia and Patrice Héral, the shakuhachi-like trumpet of Arve Henriksen and some haunting vocals underpinned by Andersen’s bass and Eivind Aarset’s textural guitar, this is a truly magnifincent CD.

Brent Keefe, Drummer

 

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