Japan tour January 2017

Posted on des 22, 2016 in Blogsidebar, Concerts | 0 comments

  Date Time                     Place Country            Venue Group Jan 12 Kanazava Japan Mokkiriya Arild Andersen trio  w/ Helge Lien,Thomas Stroenen Jan 13 Takasaki City Core Hall Japan        Takasaki Arild Andersen trio  w/ Helge Lien,Thomas Stroenen Jan 14 Atami Kiunkaku  Japan Atami Arild Andersen trio  w/ Helge Lien,Thomas Stroenen Jan 17 Shinjuku Pit inn Japan Shinjuku Arild Andersen trio w/ Helge Lien,Thomas Stroenen Jan 18 Jazz spot Inage Candy Japan         Tokyo Arild Andersen trio/w Helge Lien,Thomas Stroenen Jan 20 Sapporo Kuu Japan          Sapporo Arild Andersen trio  w/ Helge Lien,Thomas...

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Arild Andersen trio with Tommy Smith and Paolo Vinaccia

Posted on nov 21, 2014 in Blogsidebar, News, No category | 0 comments

An update for the Arild AndersenTrio.  

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Review Ystad Jazzfestival

Posted on feb 21, 2014 in Blogsidebar, Concert reviews | 0 comments

Arild Andersen trio is arguably one of the best European team right now. ORKESTERJOURNALEN SVERIGE Ystad Jazz Festival august 2012 Arild Andersenʼs group is arguably one of the best European teams right now. Finally, we listen to his singing, warm double bass along with a Scottish saxophonist Tommy Smith and Italian drummer Paolo Vinaccia.Ilama, ilama by Tommy Smith, free after a folk song from Yemen, starts and just give the concert wanting more when Arild played «Rossetti». Arild Andersen lets each note subside completely finished with his calm and charisma. Tommy Smithʼs powerful and exciting tenor saxophone has a minimalist expression, and can sound hysterical, messy and then well fit into Arilds ton coils. The Dream Horse get Smith the opportunity to show just the opposite. Lyrical and dreamy he initiates with his flute, which he should pick up more than once.No jazz festival without Alfie, and here it is in Andersenʼs fine vintage, giving the concert change of pace and dynamics. Paolo Vinaccias drumming synchronized well with the other members of the group sound. Everything fits like a glove – the trio has toured for years with these pieces of music. This is very evocative music that renews jazz and creates curiosity. Lasse...

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AA Quintet in Münster

Posted on jan 7, 2014 in Blog, Blogsidebar, Concert reviews | 0 comments

We had a great evening at Theater Münster last Sunday (06/01/14) with the Quintet. Fantastic venue and audience. Münsersche Zeitung Erster unter Gleichen Mit dem Auftritt des norwegischen Bassisten Arild Andersen und seiner Band öffnet sich das Klangspektrum auf Superbreitwandformat. Andersen eröffnet das Set mit lang gezogenen, kräftigen Basslinien, die imaginäre weiträumige Fjord- und Tundra-Landschaften zu beschallen scheinen. Selbst als seine Mitspieler einsteigen, gibt Andersen kein Dezibel nach. Trompete (Tore Johansen, Norwegen), Saxofon (Tommy Smith, Schottland) und Piano (Marcin Wasilewski, Polen) müssen sich gefallen lassen, dass der Kontrabass hier Primus inter Pares ist und nicht mehr nur Bestandteil der Rhythmussektion mit Patrice Héral (Frankreich) am Schlagzeug. Emanzipiert und modern Nur wenige Bassisten haben sich in Jazzbands so deutlich emanzipiert wie Altmeister Andersen. Und nur wenige wie er sind so emanzipiert, dass sie sich technischen und musikalischen Extravaganzen gegenüber dermaßen aufgeschlossen zeigen: angefangen von Loops bis hin zum Sprechgesang und Beatboxing seines Schlagzeugers. Der absolute Höhepunkt bei den Vereinten Nationen. Westfählische Nachrichten 06.01.14: Mehr Elektronik, noch viel mehr Wumms: Die alte Schule zelebriert das Quintett des norwegischen Bassisten Arild Andersen. Die beeindruckend lang zusammenspielende Combo taucht tief ein in den elektrischen Jazz der 1970er Jahre, holt allerdings keine verstaubten Oldies aus der Kiste, sondern zelebriert ihre sehr erfrischende, ansteckende und kraftvolle Musik. Andersen bleibt mit einer durchdringenden Bass-Kulisse unüberhörbar Chef im Ring, verarbeitet seine Loops zu zauberhaften Soli. Seinen Kollegen lässt er ebenso viel Raum zum Brillieren. Pianist Martin Wasilewski passt überraschend gut in das Konzept, droht aber stellenweise unterzugehen. Mit prägnanten Bop-Elementen unterstreichen Tommy Smith (Saxofon) und Tore Johansen (Trompete) die treibende Dynamik der Kompositionen. Da ist die indische Vokalakrobatik von Drummer Patrice Héral nur der i-Punkt für ein grandioses Finale von Jazz In­between....

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London Jazzfestival AA Quintet

Posted on des 15, 2013 in Blog, Blogsidebar, Concert reviews | 0 comments

The Quintet played at Queen Elisabeth Hall on Saturday November 16. Tommy Smith , Sax. Matthiew Michel ,Trumpet. Marcin Wasilewski, Piano . Patrice Heral ,drums and Arild Andersen ,bass Here are some reviews from the concert. The Arts Desk had this concert as the only one rated 5* from the whole festival THE ARTS DESK London Jazzfestival 2013          READ MORE Matthew Wright ARILD ANDERSEN QUINTET                       ARILD ANDESEN QUINTET . LONDON JAZZ FESTIVAL     READ MORE          Arild Andersen Quintet: pan-European jazz stars | That’s How The Light Gets In In the previous post I wrote of going along to the Southbank Centre to hear Arild Andersen’s star-studded Quintet perform at one of the opening events of this year’s London Jazz Festival and being blown away by the opening act –  Reisjeger/Fraanje/Sylla.  At the interval we turned to each other and said, ‘Arild Andersen’s going to have to be damn good to top that’. Well he was – the genial Andersen led his relatively new, pan-European quintet through a superb set of his own compositions  from ECM albums like Electra, Hyperborean and Sagn, plus some new material from the Quintet’s forthcoming first album (copies of which were exclusively on sale in the foyer).    READ...

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Down Beat 4 1/2 stars for «Celebration»

Posted on des 23, 2012 in Blogsidebar, News, Record Reviews | 1 comment

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» JazzViews» Celebration

Posted on nov 2, 2012 in Blog, Blogsidebar, Record Reviews | 1 comment

TUESDAY, 2 OCTOBER 2012 CD Review: ARILD ANDERSON & THE SCOTTISH NATIONAL JAZZ ORCHESTRA/TOMMY SMITH – CELEBRATION   ARILD ANDERSON & THE SCOTTISH NATIONAL JAZZ ORCHESTRA/TOMMY SMITH – Celebration ECM 2259/279 0947 Martin Kershaw (cl, ss, as); Paul Towndrow (as); Tommy Smith (fl, ts); Konrad Wiszniewski (ts); Bill Fleming (bcl, bs); Ryan Quigley, Cameron Jay, Richard Iles, Tom MacNiven (t, fl-h); Chris Grieve, Phil O’Malley, Michael Owers (tb); Lorna MacDonald (b-tb); Steve Hamilton (p); Calum, Gourlay (b); Alyn Cosker (d) Recorded October 2010 What better way to celebrate the 40th Anniversary of ECM Records than with an album of compositions that are indelibly linked to the label and the artists who record for it; and who better to perform it than one of the label’s longest serving musicians, Arild Anderson as the soloist with arguably Europe’s leading big band. Anderson needs no introduction. One of Scandinavia’s finest bass players, who has worked in numerous aggregations as leader and sideman for ECM, and a soloist who is more than up for the challenges that this project was to throw at him. The selection of the Scottish National Jazz Orchestra, however, would not have been a foregone conclusion but even the most casual listen to the music endorses whole heartedly that the right decision was made. The last few years has seen the SNJO develop into a world class orchestra, able to handle material from the classic big band era and composers to contemporary commissions and works from the leading musicians around the globe. The compositions on this live recording features newly commissioned arrangements from six arrangers  from the UK, Europe and America that cast new light on such familiar material as Chick Corea’s ‘Crystal Silence’, and ‘My Song’ by fellow pianist Keith Jarrett (arranged by Makota Ozone and Geoffrey Keezer respectively); but it as a complete entity that this project is realised so successfully. With superlative arrangements, a master soloist in bassist Andersen, and an ensemble as flexible as the SNJO the album is captivating from start to finish, and in an era of overlong CDs one has to lament the fact that this is not a double album. In an hour long programme it is impossible to single out individual tracks as the main event of the night. From the opening ‘May Dance’ (featuring the orchestra’s director, Tommy Smith’s tenor solo), Mike Gibb’s arrangements of Anderson’s composition ‘Independency, Part 4’ to the beautifully structured and dynamic ‘Ulrikas Dans’ by Trygve Seim (incidental y the only composer who has a hand in re-arranging his own composition for the orchestra) Arild Andersen and the SNJO provide a truly fitting celebration for the music of...

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Arild Andersen Quintet Oslo Jazz Festival

Posted on aug 29, 2012 in Blogsidebar, Concert reviews, News | 0 comments

      GREAT EVENING WITH A GREAT BAND Arild Andersen’s International Quintet debut was with his current crew at the Kongsberg Jazz Festival last summer, when the Polish pianist Marcin Wasilewski replaced Danish Carsten Dahl in about the time it takes to pack a bag and get from Warsaw to Kongsberg in the quickest manner. Now he is in the band, along with Andersen’s three partners for many years, the Scottish saxophonist Tommy Smith, the German trumpeter Markus Stockhausen and the French drummer Patrice Héral.Saturday night the band ended the Oslo Jazz Festival in front of a packed national jazz scene, Victoria. High-level It was a quality conclusion in the style of Tony Bennett, the festival’s opening act: high-level music-making that in spite of the unimpeachable authority seems effortless, playful and at times lit up by the initial glee and pure joy of playing. Without comparison, in general, Tony Bennett and Arild Andersen carry several common qualities, most strikingly the ability to maintain the inherent melodic qualities of their instruments for a life-long process that will never get in the way of the music.In that sense, Andersen – proudly presented his brand new bass with an awesome lion head – among his like-minded musicians Saturday evening. Lush Neither Wasilewski is a man of large, shade-throwing gestures as he takes the music out of the soft tone their density, and Stockhausen, with and without electronics and mute, played vigorously and less academic than I can remember having heard him. His soli was a great listening pleasure, and the same can be said of Smith’s expressive explosiveness, controlled with tastefulness and sense of dynamic whole. When Héral confirmed that he is an immensely charming virtuoso of a drummer / percussionist / abrupt humorist, it would only be a great concert of it, with, inter alia, «Lucia,» «Saturday» and «The Fox» as old friends, plus compositions (presumably Andersen?) who, at least to my ears were new. Among them were «Rosetti», named after a place in the old town of Nice and began solo by Andersen with one of the minuet from Bach’s first cello suite. As appropriate to a band that embraces so much of Europe and European music in its essentially American-founded expression. Terje Mosnes...

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Celebration Jazz Times

Posted on jul 28, 2012 in Blogsidebar, Record Reviews | 0 comments

07/18/12 Arild Andersen Celebration ECM Records By Thomas Conrad Celebration is an atypical ECM album. It is a live big-band recording and a “greatest hits” project, and its somewhat distant sonic perspective on the orchestra lacks the intimacy of the “ECM sound.” But the more you listen the more sense it makes. Arild Andersen chose six songs associated with the ECM label, and commissioned six different arrangers to create new charts for the Scottish National Jazz Orchestra under the direction of Tommy Smith. Andersen, on bass, is the featured soloist. The concert was recorded in Stevenson Hall at the Royal Conservatoire of Scotland in October 2010. Most of these pieces began life as small-group music. It is revelatory to hear them elaborated and magnified for a large orchestra, and to hear all previous solo voices amalgamated into one. Andersen is eloquent and flowing and endlessly suggestive. In Makoto Ozone’s arrangement, Chick Corea’s “Crystal Silence” reveals new layers. Its familiar two-note call shifts in color every time it is restated by a different section of the ensemble. When the orchestral details and embellishments subside, Andersen’s bass is suddenly there, picking out the theme with slow solemnity. Among living bassists, Andersen shares a quality with Charlie Haden. He can pluck one note and hang it in the air and make it resonate with human pathos. Keith Jarrett’s “My Song,” arranged by Geoffrey Keezer, initially sounds like itself because its bright, delicate melodic incantation is introduced on piano. But then Andersen’s bass takes it into another dark language. Tommy Smith solos briefly. He is a powerful tenor saxophonist who limits his solo role on this album to a few compelling interjections. On his own rapt arrangement of Jan Garbarek’s “Molde Canticle,” he comes in on top of Andersen’s bass and escalates the ritual. Celebration is atypically accessible and seductive. Originally published in July/August 2012 BUY THIS ALBUM from Amazon.com STREAM THIS CD from Rhapsody.com  ...

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Posted on apr 2, 2012 in Blog, Blogsidebar, Concert reviews | 0 comments

The trio   Carsten Dahl,Arild Andersen,Jon Christensen opened the festival on Friday March 30  . The audience really loved it and here is a 6 star review ….only in Norwegian, sorry.         Trio-topp på Vossa Jazz VOSSA JAZZ Artist: Carsten Dahl/Arild Andersen/Jon Christensen Hvor: Vossasalen, Park Hotel, Voss Tilskuere: 630  FOTO: TERJE MOSNES KONSERT: VOSS (Dagbladet): Innledningsvis holdt festivalsjef Trude Storheim en kort, verdig minnetale om sambygdingen Ivar Kvåle, mannen bak neverlurhymnen som alltid åpner festivalen. Deretter framførte forfatter-for-anledningen-festivalåpner Ragnar Hovland, også kjent som «Dr. Jazz», en sedvanlig underfundig og morsom-absurd tekst om hvordan gud, med mild motstand fra St. Peter og fortumlet assistanse fra Buddy Bolden, skapte både jazzen og Vossa Jazz. Endelig sørget trioen Carsten Dahl (piano), Arild Andersen (kontrabass) og Jon Christensen (trommer) for en herlig musikalsk start på festivalen med en konsert som rommet det meste innenfor en raus forståelse av begrepet «moderne jazz». RAMMEN(E) for konserten var hentet fra trioens ferske album «Space is the Place» (terningkast 6 her i avisa denne uka), og de tre musikerne fylte dem ikke mindre vitalt, lekent og dynamisk på scenen enn i studio. Annerledes, ja vel, med flere partier av fri improvisasjon og noen færre rene melodiske forløp — denne gang oftere med Andersens store basstone som melodiforteller – men uansett hvor nært eller fjernt fra akkordskjemaene denne trioen måtte befinne seg, kommer det interessant og forfriskende musikk ut av det. DET gjelder hva enn Dahl måtte plassere oppå flygelstrengene i sin personlige preparering av lyden, hvordan enn Christensen måtte trekke klanger og rytmiske markører ut av trommesettet og hvordan enn Andersen måtte prege helheten med alt fra pastorvennlig mildhet til tonemitraljøsekaskader. Tenk deg tre tannhjul der alt — størrelse, antall tenner, fasong og tempo – synes å være ulikt, men som likevel på besynderlig vis passer perfekt sammen og inngår i et knirkefritt samarbeid: Sånn fortoner trioen Dahl/Andersen/Christensen seg i disse...

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Recording in Los Angeles

Posted on mar 23, 2012 in Blog, Blogsidebar, News | 0 comments

I just got back from Los Angeles where I recorded with Yelena Eckemoff and Peter Erskine at the fabulous  The Bridge Studios with engineer Rich...

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The Trio : 6 star Review from Tønsberg ( Norwegian Only)

Posted on feb 14, 2012 in Blog, Blogsidebar, Concert reviews | 0 comments

A unik concert . A rare musical experience. 6/6...

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Sam Rivers

Posted on jan 28, 2012 in Blog, Blogsidebar | 0 comments

Here is a Japanese site where some musician tell their story and admiration for Sam Rivers. I played with him at Rivbea studio in New York a lot and my story is included here. The photo is fro Molde International Jazzfestival 1973...

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Japan site

Posted on jan 20, 2012 in Blog, Blogsidebar | 0 comments

For my friends in Japan Here is a site that might be interesting. I do not know what it says , but since I have been a good boy last year it can´t be too bad. Japan Site  DrillSpin

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New Year 2012

Posted on jan 20, 2012 in Blog, Blogsidebar, News | 1 comment

The new year started with the  good news that the CD  Rheomusi  with Fabiano Araujo trio  was voted among the 10 best records of Brazil 2011.           I will be doing some concerts with my new Quintet this year, and I am writing some new material for the Quintet. The trio with Paolo Vinaccia and Tommy Smith will be busy this year as well, I am looking forward to a creative year  ....

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Music Year 2011

Posted on des 18, 2011 in Blog, Blogsidebar, News | 0 comments

This year has been a great year for the trio with Tommy Smith and Paolo Vinaccia. We have played concerts in USA, Argentina ,India , Egypt ,Turkey in addition to Europe. I started a quintet with Marcin Wasilewski  piano, Patrice Heral drums, Tommy Smith saxophone and Markus Stockhausen altenating with Paolo Fresu on trumpet.  There are a couple of songs from Kongsberg in the musicplayer. ( Markus on trumpet) I did two concerts with the project «Celebration» together with SNJO at London jazzfestival and at the Molde Jazz festival. We also mixed the concert from Glasgow with this project which will be out next year on ECM.         Merry Christmas and Happy New...

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Tour in India

Posted on des 17, 2011 in Blog, Blogsidebar | 0 comments

India The trio with Tommy Smith and Paolo Vinaccia with Mak McKellen as sound producer went to India for 14 days  end of November. We played school concerts in Chennai and Delhi and ended the tour with a concert on Dec 9 at the festival Jazz Utsav in Delhi. It left a very strong impression on us to see how poor people live in earth cottages and with the garbage all over the place and then the very rich palaces for some people… We had a fantastic time however and was very well taken care of by Spic Macay who is an volunteer foundation for Arts and Education. The tour was payed by the Norwegian » Rikskonserterne» who do several tours, workshops etc in India. The food was of cause fantastic and we all managed to stay healthy and no «Delhi belly». This was the last tour this year for the trio More photos in Photo Gallery    ...

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Arendal Nov 10, 2011

Posted on nov 25, 2011 in Blog, Blogsidebar, Concert reviews | 0 comments

A great review from a Concert in  Arendal Nov 10 2011 . In Norwegian only . See some photos in Photo Gallery                            ...

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Lugano Nov 9 2011

Posted on nov 18, 2011 in Blog, Blogsidebar | 0 comments

We played a Quintet concert at the Radio Concert hall  in Lugano Arild Andersen Quintet Tommy Smith Sax , Paolo Fresu Trumpet, Marcin Wasilewski  piano , Patrice Heral Drums It is a great quintet and I will work it as a pool of musicians that I like to play with. All these guys are so busy it will be impossible to have the same lineup all times. In Lugano Paolo Fresu played trumpet. Kongsberg last summer it was Markus Stockhausen This way the quintet will have some fresh inputs every time. More photos in Photo Gallery  ...

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Posted on nov 15, 2011 in Blog, Blogsidebar | 0 comments

Last week the trio did 3 concerts in Argentina. Buenos Aires ,Cordoba and Rosario . All three jazz festivals .  Fantastic audiences . There are a few photos in the Photo Gallery  from this tour....

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Check my Videos

Posted on okt 4, 2011 in Blog, Blogsidebar | 0 comments

I just added a video from Paris 1972 -73 that someone posted on youtube . Jan Garbarek, Arild Andersen, Edward Vesala,  «Triptykon». Check out my videos here.

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Surround Recording in Oslo

Posted on aug 20, 2011 in Blog, Blogsidebar | 0 comments

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Kongsberg and Molde Jazz Festival

Posted on jul 31, 2011 in Blog, Blogsidebar, News | 0 comments

This summer I had a new quintet at the Kongsberg Jazz Fertival. It was Markus Stockhausen on trumpet ,Tommy Smith saxophone,Marcin Wasilewski piano and Patrice Heral on drums. A really European quintet. It was great fun and I really hope to do more concerts with this quintet. Some  music from this concert will be posted here a little later. At the Molde Festival I played a concert with Thomasz Stanko Quintet  featuring Craig Taiborn piano, Chris Potter sax, and Jim Black drums  .  So nice to play with Thomasz again and those fantastic musicians . Later in the week I had my own trio with Tommy Smith and Paolo Vinaccia   with Carsten Dahl as guest .The tragedy that hit Norway july 22 had of cause a great impact on the  last days of the festival, But they decided to continue the festival with slight  changes. I played a concert on Saturday with the Scottish National Jazz Orchestra  .It was very  a special feeling to play that afternoon, but music usually can say more than any words and it felt right to do the concert. The band sounded great . This is a big project which will be released on ECM in a little while . ( A live recording from Glasgow  from last october ) I am soloist with the big band with a full rythm section .The music is from the ECM cataloge and include John Abercrombie – Ralph’s Piano Waltz  [arr. Manu Pekar] ECM 1047 [1975] Arild Andersen –    Independency IV [arr. Mike Gibbs] ECM 1631 [1996] ECM [2008] Chick Corea –    Crystal Silence Crystal Silence [arr.Makoto Ozone] ECM 1024 [1972] Jan Garbarek – Molde Canticle [part 1] I Took Up The Runes [arr. Tommy Smith] ECM 1419 [1990] Dave Holland – May Dance – Gateway – [arr. Christian Jacob] ECM 1061 [1975] Keith Jarrett –     My Song My Song [arr. Geoffrey Keezer] ECM 1115 [1977] Trygve Seim –    Ulrikas Dans Different Rivers [arr. Trygve Seim] ECM 1744 [2000] Kenny Wheeler – Heyoke Gnu High [arr.Florian Ross] ECM 1069 [1975] My Song  By Keith Jarrett ,arr Geoffrey Keezer Arild Andersen with...

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